I have a graphic design degree from Otis Art Institute of Parsons school of Design. As part of my curriculum I took drawing classes as well as a couple illustration classes. In my typography classes we had to perfectly render enlarged letters from specific typefaces with ruling pens and paint brushes, that really works to develop hand skills.
How do you describe yourself as an artist and what path brought you to your current incarnation? Was it fate, serendipity or design?
You teach a variety of classes. How do you approach teaching someone how to make art?
I love your fiesta ornaments. How's your sewing machine holding up with all that metal stitching?
Sewing aluminum won’t hurt your machine at all, have you ever tried sewing a pair of jeans? that is way harder on your machine. All sewing machines will sew aluminum with no problem, the copper is different since it is harder. Machines with metal gears will sew through it fine, the ones with plastic gears may not. My old Bernina and Pfaff go right through copper like butter, but my Janome does not want to sew it, but it doesn’t want to sew two layers of canvas either.
I remember reading once that you could sharpen scissors by cutting through aluminum foil, so technically sewing through aluminum might be sharpening your needle. Copper is thicker and harder and will most likely dull your needle, I use a designated top stitch needle for that.
You're going to be part of the first ever Cloth Paper Scissors CREATE! retreat. What do you think this experience offers that's new (besides whatever Pokey has up her sleeve--I mean, I'm a little scared, how about you)?
Oh my gosh, I am so excited, anything Pokey’s involved with is bound to be a blast. I have never taught at a purely mixed media venue before so I am really excited about it and seeing all the new things people are teaching there, I already have my eye on a class or two I want to take.
I see some Mexican influences in your art. What cultures and images inspire you?
I derive a lot of inspiration from my life experiences and fascination with global cultural traditions and mythology. When I was 12, my family moved out of our house, put everything in storage and drove to Guatemala, traveling through the US, Mexico and Canada, 18,000 miles in all. We spent a year on the road and rented a house in Antigua Guatemala, studying the arts, culture and archeology of these countries. My mom and I also spent time learning back strap weaving from Indian women in Guatemala. In college I went to Japan to study graphic design and now I have just returned from teaching in New Zealand, I find that it all influences me in some way.
Some of the nature inspired imagery has come from things my kids were studying. For example, when we lived in Texas my son was obsessed with fossils and lichen, I have made work based on both of those subjects.
You're skilled at quiltmaking, painting, vessel forms and a variety of fiber arts. Is there anything left on your artistic "to do" list?
I don’t think I have a list per-say, but I am interested in trying new techniques and mediums, I am always looking at everything with the perspective of “will it work with fabric?” I have a lot of ideas that I would love to spend time exploring, but it seems like there just aren’t enough hours in a day.
What's the big news at Painted Threads?
I am really looking forward to teaching at several great venues this summer and fall:
IQF Long Beach July, 22-24
Whispering Woodlands retreat center in Wisconsin Aug 6 & 7
Create Retreat in Chicago, Aug 28 & 29 and IQF Houston Nov 2 & 3.
Let’s make some art together!
That sounds like an excellent idea! Thanks Judy!